Compositions List (up to July 2019)
Solo (or with electronics)
Wanderlust for solo instrument and playback. (2018)
Kaps Freed. For piano and MaxMSP (2017)
Black Tide. For double bell trumpet and electronic playback (2017)
Tone Being. For tam tam and sub woofer. (2016).
Dynamic Architecture. For double bass and transducer (2015)
Broken Approach. For bass drum kit. (2014)
Tension Lines. For harp and electronics. (2015)
Fourth Estate. For piano and electronics. (2014)
Signals Directorate. For Bass clarinet (with or without any other instruments) and playback. (2014)
Chunk for disklavier and grand piano (Max MSP patch required)7’45”.(2010).
Human Cathedral. For two electric basses (2019)
Their Lives are Stripped of Meaning. For instrument, voice and electronics (2018)
The Last Days of Reality. For bass flute and tam tam, and part concrete (by Lionel Marchetti ) (2018)
Shadow. For string duo and sub woofer. (2016)
Great White. For sustaining instrument duo and electronics. (2016)
Sub Aerial. For percussion duo. (2015)
The Earth Defeats me. For two sustaining instruments and part concrete (by Lionel Marchetti) (2014)
The Sinister Glamour of Modernity For viola and piano 8’ (2013).
Stella Degradation. For two or five instruments 11’ (2012).
Kingdom Come. For 2 electronic performers 12’ (2008)
Majority of One. For sustaining trio of instruments and electronic feedback. (2016)
Marking time. For sustaining trio of instruments (2016)
The Lowest Drawer. For cello or double bass, bass clarinent and bass flute and electronics. (2013)
Black Disciples. For 3 low voices (2013).
Kuklinski’s Dream for 3 carving knives, three instruments and electronics 8’ (2010).
SubDecorative Sequences I-V. For small ensemble of sustaining instruments (up to 6) and sub tone. (2019)
The Dark Hip Falls for Theremin, piano, violin, viola, cello, percussion and electronics (2019)
U Mangibeddu Nostru. For cello, viola, violin, electric guitar, organ, cor nglais, percussion and turntable. (2018)
Smoothing the Pillow of the Dying Race. For 12 cymbals ( four players). (2015)
Erst. For five instruments, synth and spatialisation. (2015)
Wall Drawing. For string quartet and theremin. (2014)
Chrome Arrow. For four sustaining instruments or laptop orchestra (2014)
Sogno 102. For Bass Flute, Bass Clarinet, Cello, Viola, piano and electronics. (2013).
Miss Fortune X for 2 strings, a.m. radio, percussion and piano 6’30” (2012).
Juanita Neilson for 2 violas and 2 cellos, electric guitar and piano 9’. (2012)
Black Eels, Sextet, 7’ (2012)
Platinum Fox for sextet for three strings, brass and percussion, 6’. (2012)
Stella Degradation for five instruments 11’ (2012).
Liminum for any instruments and electronics (2012). 9’
Cruel and Usual for String Quartet and bass amplifiers (2011). 12’
The Talking Board (co-written with Lindsay Vickery) 6 players and electronics 12’ (2011)
Longing for 5 sustainable instruments (2011). (with MaxMSP Score reader).
Empire for shoe throwers, theramins and MaxMSP. (2010). 6’
The Possible Stories of Harry Power for alto flute, bass clarinet, laptop, AM radio and MaxMSP/ 7’ (2010).
Wolf at Harp for 4 drum kits (indie rock, jazz, death metal and classical percussion) 14’ (2010).
In the Cut for violin, cello, bass clarinet, bass guitar, turntable and sub woofer. 7’ (2009).
Abe Sada Song Book Vol 1 (2006-2009) for multiple bass instruments. 21’ (2009)
The Post Truth Pleasure Garden For large ensemble and electronics. (2018)
Speechless. Opera for four soloistists, community chiors and bass orchestra.
Pure. For string orchestra, percussion and sub tone (2014-2016)
Bravo Compound. For Laptop Orchestra. (2015).
Her pockets full of inertia. for flute choir. 13’ (2014)
The End of Abe Sada. For bass orchestra. 12’ (2014)
The Moment of Disappearance for mixed orchestra, guitars and percussion. 15’ (2013)
Black Emperor for 2 organs and orchestra. 25’. (2012)
Musician and Dancer (scored)
Delay Taints for cello, dancer and subtone (2018)
We Have Become Kin for piano, dancer and subtone (2019)
The Choir of Dark Water. For choir and the Low Tone Orchestra (2019)
Pulupe Strings Sweet Tribology, Paris, France. (2015) for LP playback
Feather (co-composed with Stuart James. Commissioned by the Totally Huge New Music Festival, 2015) for spatial speaker arrangement
Languid Sigh as part of the Transmuted signal project, for Kunst radio, Austria. (2013) stereo playback
Dark Water 20 min. Dir. Erin Coates and Anna Nazzari. Linden New Art (2019).
Blight 13 min. Dir. Peron Bonser, St Kilda Film Festival, Sdyney Film Festival. (2017)
Cetaphobia 12 min. Dir. Erin Coates and Anna Nazzari. Revelation Film Festival, Paris Short Film Festival, 2015 Horror Hotel Award. (2015)
Art Calls series Dir. Tracey Moffatt. GOMA, Brisbane, Perth International Art Festival, PICA, Perth and ABC Arts Online. (2014)
Paradise Falls I and II, Paradise Falls, Dir. Kate McMillanVenn Gallery, Perth, WA. (2012),
The Making of Music for the Moment of Disappearance. Dir. Cat Hope. Haynes St Studios. London., (2014)