Marking Time (2016)
For electric guitar, harp and bass clarinet.
Written for the GreyWing Trio 2016
This is a work that explores the power of limited materials. Each instrument has a very limited and restricted range in the piece, but explores it through the timbral variation of pitch bending and extreme, constant, smooth control of microscopic change.
Marking Time was an Australian TV series made in 2003, and was the first mainstream media project to address the Australian Government’s refugee policies through the story of Afghan refugees in a regional country town. The refugee issue has been handled badly for many years, only the idea of Marking Time has a much more sinister implication than it did 13 years ago, with detention centres holding adult and children refugees for years. In these environments, small details become amplified, and control is the ultimate challenge.
Each instrument chooses a colour from red, purple or blue. They follow this colour for the whole piece. The three grey lines are reference lines that represent the range of a single, ongoing sound - the top line is the highest point, the bottom is the lowest, and the middle is the ‘starting’ or stable, middle point.
The guitar should use an ebow and pitch bend up and down from a single note. The harp should bow a note and tune it up and down either with the bow pressure or other methods. The bass clarinet should lip bend up and down around chosen note. Any note in the bottom octave of the instrument can be chosen. The distance between the highest and lowest pitch ‘bend’ for each instrument may be different, but it is important that the motion between the extremes be constant, as smooth and coordinated as possible at all times. The score should be read in the Decibel ScorePlayer app on an iPad, where you add the score file available here. This score can also be read from a video, availble here.