Cat Hope
Find Cat Hope:
  • Home
    • Academic CV
    • Discography
  • News
  • Compositions
    • Composition List
    • solo works >
      • Wanderlust (2018)
      • Thier Lives Are Stripped of Meaning (2018)
      • The Shadow Of Mill (2017-18)
      • The Past is Singing in Our Teeth (2017)
      • Black Tide (2017)
      • Dynamic Architecture 1 (2015)
      • Fourth Estate (2015)
      • Broken Approach (2014)
    • small ensemble >
      • U Mangibeddu Nostru (2018)
      • Smoothing the Pillow of Dying Race (2015)
      • Sub Aerial (2015)
      • Tough It Out (2014)
      • The Sinister Glamour of Modernity (after Ross Gibson) (2013)
      • Black Disciples (2013)
      • Miss Fortune X (2012)
      • Black Eels (2012)
      • Juanita Neilsen (2012)
      • Stella Degradation (2012)
      • Platinum Fox (2012)
      • Longing (2011)
      • Wolf at Harp (2010)
      • In The Cut (2009)
    • Instruments with Electronics >
      • The Aesthetics of Disappearance (2018)
      • The Post Truth Pleasure Garden (2018)
      • The Last Days of Reality (2018)
      • Delay Taints (2018)
      • Kaps Freed (2017)
      • Great White (2016)
      • Marking Time (2016)
      • Tone Being (2016)
      • Shadow (2016)
      • Majority of One (2016)
      • Erst (2015)
      • Tension Lines (2015)
      • The Earth Defeats Me (2014)
      • Pure (2014-16)
      • Lupara Bianca (2014)
      • Wall Drawing (2014)
      • Signals Directorate (2014)
      • Sogno 102 (2013)
      • Lowest Drawer (2013)
      • Liminum (2012)
      • Cruel and Usual (2012)
      • Chunk (2011)
      • Talking Board (2011)
      • Kuklinski's Dream (2010)
      • Empire (2010)
      • The Possible Stories of Harry Power (2009)
    • large ensemble >
      • Speechless [2017]
      • her pockets full of inertia [2015]
      • The End of Abe Sada 2014
      • Moments of Disappearance 2013
      • Black Emperor 2012
    • electronics >
      • Bravo Compound 2015
      • Chrome Arrow 2014
      • Kingdom Come 2008
    • acoustmatic
    • film music
  • Installations
    • Performance Installations >
      • Plug (2006)
      • Voyuerages (2004-6)
      • Unravelled (2003)
      • D.A.C.S (2002)
      • The Other Velvet (1999)
    • sound installations (solo) >
      • The End of Abe Sada 2014
      • Sounds of Decay [2013]
      • Amp Stack (2011)
      • Ruined Speaker Project (ongoing)
      • Drive [2002] and Tremor [2009]
      • Pick Pocket (2005)
    • visual art installations (collaborations) >
      • The Past is Singing in Our Teeth [with Kate McMillan] (2017)
      • Moments of Disappearance [with Kate McMillan] 2013
      • Islands of Incarceration [with Kate McMillan] 2010
      • Lost [with Kate McMillan] 2008
  • songs
    • gata negra
  • bass noise
    • solo
    • Australian Bass Orchestra
    • Cat Hope and Tina Havelock Stevens
    • Super Luminum
    • abe sada
    • HzHzHz
    • candied limbs
    • lux mammoth
  • Publications
    • Sounding Art
    • Drawn From Sound
    • Digital Art: An Introduction to New Media
    • The End of Abe Sada
    • Audible Designs
    • Papers
    • Articles
  • Projects
    • Speechless
    • Collaborations
    • Churchill Fellowship
    • A year in Peggy's House - Peggy Glanville-Hicks Residency 2014
    • Films
    • Drawn from Sound graphic score exhibition and book
    • decibel new music ensemble

Drve (2002) and Tremor (2009)

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Drive (2002)
Tremor began as Drive, a sound installation that started and stopped using a token operated ‘peep show’ mechanism. Each token played the instatllation around 2 minutes. The installation refers to car accidents. A recording of a car crash recording is slowed down over 50 times and played through a sub woofer. In front of the speaker is a bent car bumper where a piece of pickled kangaroo skin is strung out. The bass frequencies from the speaker vibrate the skin so that it too ‘plays’.The work was premiered at the ‘Peeping Death’ exhibition at the 2002 Artrage Festival. It was a collaboration with KFord



Tremor is a reworking of the same installation, without the peepshow mechansim and using seismographic data transposed to an almost audible range as the source material, which vibrates the pickled kangaroo skin. The skin needs to be treated daily with moisturizer to keep its flexibility, otherwise it will crack under the sound pressure. It was shown at RMIT Project Space in 2009.

Picture
Tremor (2009)
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