Cat Hope
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    • Academic CV
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  • Compositions
    • Composition List
    • solo works >
      • The Shadow Of Mill (2017-18)
      • The Past is Singing in Our Teeth (2017)
      • Black Tide (2017)
      • Dynamic Architecture 1 (2015)
      • Fourth Estate (2015)
      • Broken Approach (2014)
    • small ensemble >
      • Smoothing the Pillow of Dying Race (2015)
      • Sub Aerial (2015)
      • Tough It Out (2014)
      • The Sinister Glamour of Modernity (after Ross Gibson) (2013)
      • Black Disciples (2013)
      • Miss Fortune X (2012)
      • Black Eels (2012)
      • Juanita Neilsen (2012)
      • Stella Degradation (2012)
      • Platinum Fox (2012)
      • Longing (2011)
      • Wolf at Harp (2010)
      • In The Cut (2009)
    • Instruments with Electronics >
      • The Post Truth Pleasure Garden (2018)
      • The Last Days of Reality (2018)
      • Thier Lives Are Stripped of Meaning (2018)
      • Delay Taints (2018)
      • Kaps Freed (2017)
      • Great White (2016)
      • Marking Time (2016)
      • Tone Being (2016)
      • Shadow (2016)
      • Majority of One (2016)
      • Erst (2015)
      • Tension Lines (2015)
      • The Earth Defeats Me (2014)
      • Pure (2014-16)
      • Lupara Bianca (2014)
      • Wall Drawing (2014)
      • Signals Directorate (2014)
      • Sogno 102 (2013)
      • Lowest Drawer (2013)
      • Liminum (2012)
      • Cruel and Usual (2012)
      • Chunk (2011)
      • Talking Board (2011)
      • Kuklinski's Dream (2010)
      • Empire (2010)
      • The Possible Stories of Harry Power (2009)
    • large ensemble >
      • Speechless [2017]
      • her pockets full of inertia [2015]
      • The End of Abe Sada 2014
      • Moments of Disappearance 2013
      • Black Emperor 2012
    • electronics >
      • Bravo Compound 2015
      • Chrome Arrow 2014
      • Kingdom Come 2008
    • acoustmatic
    • film music
  • Installations
    • Performance Installations >
      • Plug (2006)
      • Voyuerages (2004-6)
      • Unravelled (2003)
      • D.A.C.S (2002)
      • The Other Velvet (1999)
    • sound installations (solo) >
      • The End of Abe Sada 2014
      • Sounds of Decay [2013]
      • Amp Stack (2011)
      • Ruined Speaker Project (ongoing)
      • Drive [2002] and Tremor [2009]
      • Pick Pocket (2005)
    • visual art installations (collaborations) >
      • The Past is Singing in Our Teeth [with Kate McMillan] (2017)
      • Moments of Disappearance [with Kate McMillan] 2013
      • Islands of Incarceration [with Kate McMillan] 2010
      • Lost [with Kate McMillan] 2008
  • songs
    • gata negra
  • bass noise
    • solo
    • Australian Bass Orchestra
    • Cat Hope and Tina Havelock Stevens
    • Super Luminum
    • abe sada
    • HzHzHz
    • candied limbs
    • lux mammoth
  • Publications
    • Sounding Art
    • Drawn From Sound
    • Digital Art: An Introduction to New Media
    • The End of Abe Sada
    • Audible Designs
    • Papers
    • Articles
  • Projects
    • Speechless
    • Collaborations
    • Churchill Fellowship
    • A year in Peggy's House - Peggy Glanville-Hicks Residency 2014
    • Films
    • Drawn from Sound graphic score exhibition and book
    • decibel new music ensemble

Churchill Fellowship 2014

In 2013, Cat Hope was awarded a Churchill Fellowship to study digital graphic notation around the world by working with different groups, composers, academics and authors. This blog follows her journey through Sweden, Iceland, London, Paris and New York.

About the Churchill Trust

Churchill Fellowship: report on line

7/26/2015

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Cat's Chuchill Fellowship report is complete and can be downloaded here.
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    Cat Hope

    2013 Churchill Fellow

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